It is May. The North Sea temperature has just crept over 10 degrees centigrade. The sand on the beach is almost warm. In short the lobster season is here. Time for me to push that boat out and catch some of these ineffably strange and ancient crustaceans (they’ve been around for 360 million years), these creatures of mysterious and fugitive habit (the lobster may have limitations in the brains department but will never be domesticated – she’s a wild one). Although when I say ‘catch’ I am being optimistic. Your life as a lobster hunter is likely to be marked by expense, frustration, disappointment and blind chance. They are in their element, you are not. At some point – assuming you have not drowned – you will certainly think of giving up the trade.
But no, you won’t give up. The magic is too powerful. And because one day, perhaps today, you will haul up that lobster pot and there it will be, that speckled flash of deep blue-black rising from the sea …
The only reason I was at Clarke & Simpson’s country auction in Suffolk was to buy a desk for my office. The Art Deco and Design auction in Campsea Ash is a good place to find handsome furniture that is not Victorian and not brown, and last Monday there was just such a desk in the auction catalogue. True, I also had an eye for one or two other lots that looked like they might go cheap, like the cast iron Christmas tree stand and perhaps the green enamel angle-poise lamp – open an auction catalogue and you are already sliding down a slippery slope with an invoice at the bottom. But the desk was top of my list. I certainly had no intention of buying a print by one of the acknowledged masters of twentieth century American photography.
Book Review: Notes From Walnut Tree Farm by Roger Deakin
ROGER Deakin, who died prematurely in 2006, played a large part in the current revival of writing about nature and landscape in Britain. He did not publish much during his life – a book about trees and their spiritual significance called Wildwood, and another about the culture of unofficial swimming, Waterlog. Yet those two books (both unexpected if minor commercial successes) managed to draw the attention of readers towards some things that were either new or neglected – the spell that the natural world can cast on the urban imagination, the teeming variety of the modest English countryside, and the oddly unexplored landscape of Deakin’s home territory, the eastern part of England known as East Anglia.